FERNANDA ALVAREZ
Lola Viper, 2026
Técnica mista com pó de diamante sobre tela.
Mixed media with diamond dust on canvas.
Mixed media with diamond dust on canvas.
90 x 120 cm
35 7⁄16 x 47 1⁄4 in
35 7⁄16 x 47 1⁄4 in
© Fernanda Alvarez
They don’t ask for permission. They decide. They’re not fragile angels. They are angels who lead. Many women. Many faces. They embrace their multiple versions. And they move forward without...
They don’t ask for permission. They decide.
They’re not fragile angels.
They are angels who lead.
Many women. Many faces.
They embrace their multiple versions. And they move forward without asking for approval.
Women who know exactly what they want and are fully in command of who they are.
Part of the series Johnny’s Angels, this work explores a redefined feminine presence, where charm, boldness, and mystery coexist with control and self-possession.
These figures emerge between seduction and irony. They perform, but never submit. They evoke the visual language of 1950s pin-ups, yet their gaze no longer belongs to the past. It confronts, questions, and reclaims.
Inspired by João, my brother, my opposite and my mirror, Johnny’s Angels unfolds as a layered narrative of devotion and defiance, affection and provocation.
More than portraits, these women are statements.
They embody power, irreverence, and freedom.
They are seen. Desired. Remembered.
But ultimately, they belong only to themselves.
They’re not fragile angels.
They are angels who lead.
Many women. Many faces.
They embrace their multiple versions. And they move forward without asking for approval.
Women who know exactly what they want and are fully in command of who they are.
Part of the series Johnny’s Angels, this work explores a redefined feminine presence, where charm, boldness, and mystery coexist with control and self-possession.
These figures emerge between seduction and irony. They perform, but never submit. They evoke the visual language of 1950s pin-ups, yet their gaze no longer belongs to the past. It confronts, questions, and reclaims.
Inspired by João, my brother, my opposite and my mirror, Johnny’s Angels unfolds as a layered narrative of devotion and defiance, affection and provocation.
More than portraits, these women are statements.
They embody power, irreverence, and freedom.
They are seen. Desired. Remembered.
But ultimately, they belong only to themselves.